Wildlife, Business Trends

Local wildlife.   It’s nice to know that one doesn’t always need to travel halfway around the world to make compelling images—occasionally willing subjects show up right in the back yard.

The new world.   Transformations within societies often come in waves, the actual results of which are only visible with clarity when looking back on them after the fact.  Living through transformations is often confusing, costly, and challenging to cherished precepts and personal lifestyles.  We’re moving through such an event now in the way we handle information—how it’s transmitted, received, perceived, generated, and consumed.

One of the difficulties is that these changes occur from so many fronts at once it’s very hard to understand the specific impacts or predict the eventual results.  Take the concept of “convergence,” which in this narrow niche has usually referred to the lessening distinctions between still images (photos) and motion images (motion picture or video) and how packages of images, text, and sound are presented or delivered.  The most obvious example is the rapid and widely embraced placement of HD video capture in camera bodies that previously were designed to capture only still images.  Then a few years ago, putting cameras in cell phones became popular, and that morphed (with the big help of the Apple iPhone) into cellular communication devices with all kinds of multifunction data/voice tools that meet more customer consumption needs than we ever knew existed.  The iPad has twisted that concept even more…and so it goes.

Now Panasonic, a major electronics manufacturer for decades and of recent years a heavy hitter in the consumer digital camera world, is merging imaging and cell phone from the camera direction with the Lumix Phone (Japanese market only for now).  It will be interesting to see how many other features are integrated into this device other than relatively high quality capture ability.

Of course to some degree this begs the question of whether any one device designed to do many things can do them all well enough to satisfy, or whether eventually one finds it better to own and use several purpose-built devices that are optimized for a specific use and do so really well.  We’ve been down that road before and only time will tell how this will sort out.

Another part of the puzzle is the distinction between consumption and production.  This is part of what’s tied up in the concerns within certain professional ranks regarding the direction of the Apple company.  (By the way, this is not an anti-Apple rant, but thoughtful commentary about delivery of information.)  While Apple’s business model has concentrated in the last several years on building and selling mobile devices (iPod, iPhone, iPad,) and content delivery systems (iTunes, iBooks,  Apple TV) that focus intensely on consumption (and in this case with a very tightly controlled environment that funnels as much revenue as possible though Apple’s  coffers), there has been a growing sentiment that the creation side of the equation has been minimized in favor of feeding the consumption model.  Updates to both laptop and desktop Apple computers has been glacially slow of late and tend to be minimal at best, often shirking trends within the rest of the market as to improved speed, capacity, connectivity, and throughput.  Another glaring example is the rumored delay in release of a much-anticipated new version of Final Cut Studio (a big player in professional video and multi-media creative markets), due in part (it is alleged) to reassignment of many of its engineering resource to mobile operating systems which focus on delivery, not creation.  But now Apple has announced a “Back to the Mac” event for October 20th unleashing a slew of speculation on what this might mean.  Let’s all hope it include a bit more emphasis on serious tools for creatives.

Hard drives.   While SSDs (solid state drives) continue to improve, prices just aren’t falling fast enough to generate much enthusiasm.  New units that fit a PCI-Express slot on your desktop motherboard (like OCZ’s RevoDrive) continue to push the envelope, but these devices are clearly not mainstream yet—good old hard drives still fulfill the storage needs for most of us.  And they’re getting bigger and better too.  Hitachi has just announced a new 2.5″ laptop drive with a 750GB capacity and 7,200rpm spindle speed.  It’s only 9.5mm think and will fit in just about any laptop.  Pair this with a USB 3.0 enclosure and it would make a dandy portable backup unit too.   Also from Hitachi is a 2.5″ 10,000rpm drive in capacities up to 600GB.  Sounds like it may give the famed Western Digital VelociRaptor some real competition.

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Seasons and Photokina

Seasons.   Ready for winter?  This current cold snap in Southcentral is an abrupt reminder of how quickly the seasons can change here in Alaska.  Summer’s over, autumn won’t be here much longer, and it’s time to think cold weather.  Just a few days ago the conditions on the Kenai Peninsula were gorgeous and the low-bush cranberry crop was the best I’ve ever seen.  I’m sure there are plenty left if you don’t mind cool temperatures and can beat the snow that’s sure to arrive soon.

Photokina.   Photokina 2010 has come and gone, so the window for big announcements of new/better imaging equipment is likely over for a while.  As usual there were some standout items along with a lot of fanfare regarding new products announced in the run-up of the weeks before the show.  For a couple of event summaries see Mark Dubovoy’s blog or DP Review’s Show Report.  Here’s my take on items of most interest.

Pentax confirms it will begin shipping its 645D medium format DSLR globally in December.  US price for the body only will be a penny less than $10,000.  Yes, this is a whole bag of money…more than about 99.9% of us will be able to find enough excuses to afford.  However, it represents the least expensive high quality digital medium format camera to date.  The 645D has a 40MP integral sensor (not a separate back) in a very intelligently designed body aimed at professional outdoor use.  Previous Pentax 645 lenses can be used as well as Pentax 67 lenses with an adapter.  Pentax hasn’t been able to build 645D bodies fast enough to even supply the Japanese market thus far, so if you’re interested, better get on a wait list now.

Epson’s new Stylus Pro 4900 inkjet printer is the long-awaited 17″ model that incorporates the print head and inkset from the vaunted 7900/9900 models.  Building on the features inherent in the original 4000 model, the 4900 will incorporate automating black ink switching, has roll paper capability, uses UltraChrome HDR inks in 200ml cartridges, and has a cut sheet paper cassette for ease of producing multiple prints.  It’s big and heavy (nearly 3 feet wide and about 115 pounds) and will be expensive (price not set yet for US), but it will find its way into a lot of serious photographer’s digital production workspaces as the new flagship for widest-gamut, highest quality color inkjet printing in the 17-inch format.  See more here and here.

Fujifilm FinePix X100 (see last bulletin).  This new camera isn’t expected to ship until early next year, so of course we won’t really know how it performs until it gets into the hands of a few serious testers. But conceptually it’s a home run, or at least a bases-loaded triple.  One can quibble the fixed lens, but I’d wager many will be perfectly happy with it if it lives up to expectations quality-wise.  The X100, from my perspective, is the closest thing yet to the proverbial perfect serious compact digital camera.

Software update.   For those using Photomatix Pro to render high dynamic range images, HDRsoft has just released version 4.0 with a new interface and the ability to explore both Exposure Fusion and Tonemapping after merging your selected images.  For a better explanation of why this is a big plus, see Uwe Steinmueller’s discussion at Digital Outback Photo.  The version upgrade is free for those using 3.x.

Little things.   Still using AA batteries in your photo devices?  Most flashes use this size, and some camera bodies have provision to use AA’s as an alternative power source inside the body or in an add-on grip.  Rechargeables make a lot of sense, especially the newer low self-discharge types like Sanyo eneloop or Maha Imedion that retain their charge much longer when on the shelf or in your bag.  Typically these batteries have had a slightly lower mAh rating than standard NiMh models, but that is inching up.  New Imedions have a 2400 mAh rating, and a new XX eneloop will arrive soon with a rating of 2500 mAh.  I’ve used both brands with good success and the bit of extra power will be welcome.

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