Technology Tug of War

Transferring files isn’t a very entertaining process, but it’s necessary, and the more images one makes, the more advantageous rapid file transfer becomes.  You’ve got to get those new captures onto your main system and backup devices somehow.  For a long time USB 2.0 has been a fairly universal connection protocol between computers and cameras, card readers, and external hard drives, though some Mac users opted for FireWire 800 card readers which bumped the throughput somewhat but wasn’t exactly nirvana.  Now we have two new standards, USB 3.0 and Thunderbolt, both promising to speed the transfer process significantly.

USB 3.0 has been on the scene for a while, though it’s been slow to be integrated into new computers.  Part of the reason is that Intel (in partnership with Apple) had been working on a competitive protocol called Light Peak for some time which would theoretically leapfrog USB 3.0 in capability.  Therefore, both Intel and Apple resisted integrating USB 3.0 in their products in favor of developing a proprietary feature (at least in the short term) from which they could leverage profits (that’s the way business works, right?).  Accordingly, it took a while for USB 3.0 to gain much traction.  Then, not unexpectedly,  Apple punched a hole in the dike by releasing their 2011 MacBook Pro laptops with a new connector called Thunderbolt (rebadged Light Peak using copper instead of fiber).

While there are many other subtle twists to this intrigue, including the fact that when Thunderbolt was announced with great fanfare the trademark was said to be owned by Intel; now it appears that Apple owns the trademark instead.  Hmmmm.  At any rate, as of now there are few if any peripherals to hook up to your Thunderbolt port (if you have one), while USB 3.0 devices are becoming widespread.  The latest to appear is a card reader from Lexar which has slots for both CF and SD card formats (including SDHS, SDXC, and SD UHS-I), and is optimized to accelerate UDMA enabled cards as well.  Maximum transfer rate is said to be up to 500MB/s—how much faster that may be than the speeds you’re experiencing now depends on your setup, but chances are it would make you current process seem very slow.

So, if you like the sound of this additional download speed, how do you make it happen?  Not so easily perhaps.  For one thing, only a tiny fraction of new computers (desktop or laptop) offer built-in USB 3.0 connectors, and certainly nothing form Apple at this point.  For a Windows desktop there are any number of PCIe cards you can pop into an open motherboard slot (for those who’ve never had the cover off your computer, it’s not really rocket science), though you do have to also connect to the power supply in order for self-powered external drives to get juice through the connector.  There are also ExpressCard adapters for the few laptops that have an ExpressCard slot (either 34mm or 54mm) built-in, but you’ll have to address the power issue.  For Macs, both LaCie and CalDigit have USB 3.0 adapters, though there are some caveats to making them work well (see a very technical but thorough rundown here).  A few cutting edge Windows laptops are starting to show up with built-in USB 3.0, but it’s going to take a while longer for this technology to be widely adopted.  In the meantime, you could pop a PCIe card into your desktop machine and reap at least some of the benefits of faster transfer with the new Lexar card reader and just use it with your laptop as a USB 2.0 device since it’s backward compatible.

All in all we’re in a bit of a transition stage.  Within the next year we’ll see new processors, new chipsets, and a coalescing of these disparate methods and protocols that hopefully will benefit us all.  Just in case you thought technology was slowing down and that Moore’s Law was in jeopardy, did you notice the announcement of Intel 3D Tri-Gate transistors?  Sometimes technologies magically converge to provide a real leap forward instead of just a step.  Maybe this is one of those events.  Time will tell.

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New Leaves

The green explosion in Southcentral Alaska is happening right on schedule.  With rare exceptions, during the third week of May the leaves of deciduous trees and shrubs—especially birch, cottonwood, and alder—unfold from their bud cases in response to longer days and gradually warming temperatures to dramatically alter the drab  brown and gray landscape of post-breakup almost overnight.  The first signs of emergence are subtle as the tiny tips of new leaves begin to show so gradually they’re hardly noticed, but then a warm day or two accelerates the process to the point the whole area appears suddenly awash with the bright new color, emulating the sweeping paintbrush animation from some of the old Disney nature films of 60 years ago.  Most of the new leaves are a light, bright chartreuse, taking on a vibrant translucent glow in any backlit situation.  It’s a wonderful occurrence that vividly illustrates the dramatic seasonal transformation at this latitude more graphically than just about anything else.  And the intense chartreuse hue doesn’t last long; within just a few days the new leaves mature and become a darker, denser green as the chlorophyll pigment settles within the leaf to carry out the vital process of photosynthesis—the making of energy from light —which is essential for the ongoing life of the tree.  A host of new plant growth is rapidly occurring at ground level as well and wildflowers will begin to show soon, but the seasonal emergence of new leaves in the boreal forests is a very special time; take advantage of it while you can.

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Marketing Trends

More convergence.   Another sign that photography and electronics are becoming ever more co-mingled is the announcement that the annual convention of the Photo Marketing Association where venders have routinely announced new products and displayed their wares will now be collocated with the Consumer Electronics Show in Las Vegas.  In the past, PMA has occurred in the spring; however this year it was scheduled to be in September and was renamed “CliQ.”  Now we’re told that it will be slipped even further (see announcement here) to coincide with CES January 10-13, 2012.  Making these large conventions work for both organizers and manufacturers has become increasingly challenging with the huge growth of mobile internet communication flow and the harsh economic conditions of the last several years.  Whether this schedule adjustment will also help accommodate disruptions caused by the catastrophe in Japan remains to be seen.

Image rights erosion.  Those who believe their photographs to have actual potential value have watched with chagrin and dismay as the market for images has drastically changed in the last several years.  Microstock opened the floodgates to those willing to accept miniscule payments for individual pictures and helped create a mindset among sometimes less than discriminating picture buyers that almost anything could be bought for next to nothing.  In addition, crowdsourcing has fundamentally altered the business models of numerous major print publications that were previously photographer-friendly and in the process slashed the need to pay for images at all.  Even further, major stock agencies have voraciously acquired and absorbed smaller agencies—many with long-term sterling reputations—and then established new policies that squeeze contributors unmercifully to maximize short-term profit.  The latest example of rights erosion is referenced here where one of the two largest stock photo companies is forcing new contract terms that will further dilute contributor’s say in and control over how the rights to the images they’ve created are managed, trimming even more their share of eventual revenue.   Combine this race to the bottom in stock photography with the prevailing 21st century perception that everything on the internet is free and available for use in any way desired and the outlook for deriving revenue from imaging is growing bleaker by the day.  It’s a changed world.

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New Tools from Epson and Apple

Another new printer from Epson.   Epson’s new Stylus Photo R3000 has been shipping for only a couple of weeks and now the industry leader in photo inkjet printing technology has announced another 13” model—the Stylus Photo R2000.  While perhaps not earth-shattering news, the R2000 will fit nicely in the lineup and likely fill the needs of quite a few serious photographers at modest cost.  It looks as though this printer will replace the respected R1900, which I have used with very good results for the last three years.

Where will the R2000 stand in the Epson photo inkjet hierarchy?  Just one step down within the 13” pigment ink models, presuming the R2880 will drop out soon in deference to the new R3000.  For photographers, the distinction between pigment and dye-based inks has driven choice for some time since pigment inks get the nod for expected archival longevity (as in will likely last longer).  Nothing is permanent, and how prints are displayed makes a huge difference is how quickly they fade or otherwise deteriorate, but for now pigment inks have the best promise of the lot.  For those new to the subject of inks, have a look at this relatively succinct tutorial.

As to breadth of color gamut, Epson currently has three pigment ink formulations.  The very widest—UltraChrome HDR—is only available in their top-end Pro printers, the 4900, 7900, and 9900.  Part of this has to do with the in set being mated to the advanced MicroPiezo TFP print head which has been a big step forward but quite large and expensive and therefore not conducive to being shoehorned into a printer of lesser dimensions like the 3880 or even smaller 13” printers.  So if you’re going for broke in printing the best colors possible from a consumer inkjet printer, you’ll have to spring for an x900 model.  Next step down is UltraChrome K3 with Vivid Magenta, the ink set used in the 3880, and R3000.  Keep in mind that viewers of real-world prints in varied display environments are often very hard pressed to actually see minor technical gamut differences; that doesn’t mean they aren’t real, or that they may have a beneficial effect for a particular image that has colors at the edge of the spectrum that a wider gamut helps illuminate.  But having said that, K3 with Vivid Magenta is still a fine formulation that results in beautiful prints for the vast majority of images.  The R2000 will use same UltraChrome Hi-Gloss 2 ink as in its predecessor, the R1900.  While it’s hard to find direct gamut plot comparisons between this and other Epson ink sets, it’s fair to say Hi-Gloss 2 produces vibrant colors (enhanced by the included Red and Orange cartridges) and has one particular feature different from all the rest—a Gloss Optimizer which essentially eliminates gloss differential and helps make the finest glossy prints from any inkjet printer out there.  Whether this is a factor that might appeal to you or not depends entirely on your media preferences.

Other changes in the R2000, though relatively minor, seem all in the right places including larger ink carts (17ml, which Epson suggests will provide a yield of up to 50% greater than with the R1900), Wi-Fi (802.11n, not the older a/b/g protocols), Ethernet, and USB 2.0 connectivity, and updated styling.  All in all this looks like a fine upgrade in the $500 price category.

New iMacs.   Apple this morning announced the latest upgrade to their popular iMac all-in-one computers.  Featuring quad-core processors, improved graphics, and Thunderbolt connectivity, the new models are sure to excite Apple fans.  However, from the perspective of choosing a color-critical image editing platform we’ll have to wait and see how the display pans out as iMacs in the past have had big issues with overall brightness.  The size of your file archive will have a big impact too as there’s little or no room for internal expansion.  There is however an option for a second solid state drive which when specified appears to be loaded with OS and programs, leaving the SATA hard drive for data.  In addition, an optional 16GB of RAM will be available—good news for every more memory-hungry programs and large image files.  Some of us were also wishing for a new Mac Pro with SATA III (6 Gbits/s) platform bandwidth, Thunderbolt, and a few other upgrades to keep the Apple workstation line competitive, but this end of the creative tool spectrum seems far down on the Apple priority list at the moment.  After all, businesses exist to make money, not pander to narrow niches of creative enthusiasm, but we’ll continue to hope that Apple won’t abandon workstation computers entirely, especially since video has become such an important part of the overall mobile media revolution.

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Tidbits

The long-term recovery in Japan continues to disrupt component supply and delivery schedules for many manufacturers of photographically related hardware.  The future impact is simply unknown, and the best advice for the time being is to use what you have or do some minor stockpiling of items you find available.  Don’t put it off if a specific tool is critical for a particular project.

Good news on the printer front.  Epson has begun to ship the previously announced Stylus Photo R3000, the top end of the 13” lineup.  Reviews (here, here, and here) are beginning to show up as well, and so far there are few complaints of substance.  The list price is $849, though I’ve seen several sources with a slight discount already.  While this isn’t exactly cheap (especially compared to the Stylus Pro 3880, which is a fine 17” printer already discounted and currently with a $150 rebate if you take delivery by the end of the month bringing it to nearly the same price and includes a lot more ink), but for many the R3000 is likely to be the most versatile printer in the lineup.  Features attractive to me are the same footprint as a previous 13” model, the next to widest gamut inkset Epson produces (only the 4900/7900/9900 are better), auto-switching between PK/MK blacks, and much larger ink cartridges (25.9ml).  As with all things photographic, every tool is a set of compromises, and considerations here are many.  The 3880 might be the better choice if you crank out a lot of prints and can take advantage of the larger volume ink carts, don’t need roll paper, and of course if you must have 17” wide capability it’s a no-brainer.  But if space is limited and 13” media serves your needs, the R3000 looks to be the king of the hill in that bracket for foreseeable future.

Those using Adobe Photoshop CS5 might be interested in a White Paper describing how best to set up your computer and software to optimize performance on your system.  As with most things in this business, if you want to get the most out of your equipment you’ll have to spend a little time configuring it properly.  Ever larger RAW files and increased popularity of HDR and panorama merges make much larger demands on your desktop darkroom and having it run as efficiently as possible is a big time-saver.

If you’re interested in photo trends in general, take a look at this report.  Smartphones won’t be taking over the whole nature photography field anytime soon, but mobile communications are having an ever-deeper impact on how we converse, allocate our time, and conduct business.  Having said that, questions concerning the degree to which big mobile businesses are mining information about you has been highlighted again with the iPhone location tracking issue (and it’s not just Apple products either).  If you still have any illusions of being able to keep your personal data private, it might be time for a wake.

Does video interest you?  There’s little doubt that clips of recorded motion are more in demand than ever before, and that manufacturers are using video capability as an added feature in formerly still-only cameras as a forceful marketing tool.  The degree to which these factors combined with the explosion of mobile communication devices and expanded wireless networks (in both coverage and speed) influence the nature of devices built to record video remains to be seen.  To be sure, video-capable DSLRs to date are far from optimized for that purpose, regardless of how good the actual footage looks.  For most still photographers, the step to serious video production competence is steep, time-consuming, and costly, but many are making the plunge if for no other reason than staying viable in the marketplace.  In the meantime, providing training and resources in support of this effort has become a surging growth industry.  Michael Reichmann of The Luminous Landscape recently completed Part 1 of 3 in his series titled “Guide to Cinematography for Photographers.” Thom Hogan has some pertinent thoughts on the subject pertaining to impact of the trend within the manufacturing industry in his Apr 22 post.  In the software department Adobe has announced Creative Suite 5.5, with the biggest changes being the addition of mobile media authoring tools and an optional monthly subscription plan that sidesteps the need to purchase the software outright.  Also Apple has announced a totally rebuilt Final Cut Pro X to arrive in June.  Video’s the current rage, that’s for sure.

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They’re back….

Seasonal change has taken hold now in Southcentral Alaska.  Most nights are still below freezing, but gradually warming days and increasing hours of sunlight have reduced the snow and ice and promise rapidly accelerated melting very soon.  Traditionally, migrating gulls and geese arrive back in the Anchorage area during the first week of April each year, more or less without regard for current conditions.  The tradition continues with a large flock of Herring Gulls at Potter Marsh, even though they have little or no open water yet and have to bide their time on the ice.  But it won’t be long before lakes and marshes lose their frozen crust and the frenzy of rebirth and rejuvenation gets into full swing, pumping energy and vitality into all of us.  Bring on summer!

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Spring Break and Tech Developments

Spring in California.   With winter still hanging on in Alaska, a couple of weeks in “The Golden State” are welcome.   Unlike the far north, the seasonal transition from winter to spring along the central California coast is gradual.  The first hints can be seen in late January and February with blossoms of currant, gooseberry, and white lilac, then March brings more varieties of wildflowers and early songbirds.  Among the latter is the ever-vocal house wren whose loud, cheerful chorus of warbling notes fills the air every morning.  These small creatures exude energy as they bounce from perch to perch within their territory and rarely stay in one spot very long.  Some are relatively tolerant of humans and permit fairly close observation.

The coast region of California is prone to cycles of dry years and seems perennially short of water.  Several of John Steinbeck’s poignant novels underscore this dynamic.  Not this year though, as rain has been abundant, causing considerable flooding, toppled trees, and widespread earth-slippage as saturated hillsides simply let go.  These are all part of natural weather patterns and erosion processes, but the abrupt surface changes aren’t always pretty.  Still, it’s nice to see green hills and reservoirs full of water, and to hear the long-running drought declared officially over…until the next cycle.

Supply interruptions.   The huge disruptions caused by the massive earthquake, the ensuing tsunami, and the damaged nuclear plant in Japan were further exacerbated today by a 7+ magnitude aftershock near the epicenter of the earlier quake.  The human and environmental toll continues to mount, and the resulting effect of delayed commercial manufacturing has ever more widening impact.  For photographers, the simple fact is any announcements of new product will be sporadic, and delivery of previously announced items will likely experience delays of unknown length.  There’s simply no way to determine when all this will sort out, and of course the direct impact on the people of Japan will be felt in innumerable ways for a very long time.

Not all is at a standstill however.  Nikon just announced their new D5100 DSLR in a slot somewhat below the recent D7000.  Fujifilm has resumed production of their X100 and early reports on this much anticipated modern/retro meld have appeared (see Michael Reichmann’s account here).  While this camera may not have wide appeal to nature photographers per se due to its fixed 35mm-equivalent focal length lens, it is poised to become one of those watershed niche cameras which may even spawn a whole new wave of rangefinder-like bodies.  There is already a set of rumors of X200 and X300 follow-on models, the latter perhaps with interchangeable lenses.  For those of you looking to improve download speeds for massive numbers of images (or big video files), Delkin now offers a USB 3.0 Universal Memory Card Reader (May delivery anticipated).  This presumes you have a way to add USB 3.0 connectivity via PCIe card in your desktop or ExpressCard slot in your laptop.  Faster transfers are always welcome, and of course if you don’t have USB 3.0 the device defaults back to USB 2.0 as well.  And for those with coins to space and a rabid desire for the largest color-critical screen you can put on your desk with only a small mortgage, the NEC PA301W is now available.  See Lloyd Chambers’ review and comparison with the vaunted PA271W for some interesting results.  (On a somewhat peripheral note, I’m now working with two slightly older NEC 2690WUXi monitors side by side and thoroughly enjoying the convenience of the vastly extended real estate.  I’d vote for two medium-sized monitors over one large one, but your preferences may differ.)

As an additional consideration, it’s not just the announcements and delivery of new stuff that will likely slow down; current equipment stock may well become depleted and all this could have an effect on prices.  If you really need something for a near-term project and it’s available now, don’t put off your purchase decisions too long.

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Expected near-term advances in computing technology

Improvements that will benefit photographers.  Now that most wet darkrooms have given way to computers—digital production suites, really, when you include monitors, storage arrays, input devices, scanners, printers, modems, switches, APCs, etc.—electro/mechanical post-processing tools have become pretty much as important as capture devices.  So where do we stand and what can we expect in the next year or two?

For casual still photographers, available computer systems have more than filled the bill for some time.  If your files are fairly small (you shoot JPEGs for example) and you don’t have voluminous storage needs, most any off-the-shelf desktop or laptop will do fine.  Pick what you like and go for it.

Still photographers who shoot lots of RAW images and process in a color-critical environment—and especially those who work with seriously large files like stitched panoramas—have significantly different needs.  Sheer computing power becomes an important factor, along with fast transfer rates to and from large storage arrays.  If photography for you is a business (sobering thought) then time is money and serious post-processing capability can make a real difference in your bottom line.  And, if you’re shooting video, these electro/mechanical factors are further multiplied.

At present, many of the constraints for processing data within computers have to do with RAM (as when you’re physically working on an image), or retrieving files from or moving them to storage (a hard disk drive, solid state drive, or optical disc).  In most cases it’s not the processor holding up the show; even 2.0GHz two-core units (especially those with additional virtual cores) can handle most modest loads just fine, and CPUs with even more cores may not have that much advantage because the majority of current imaging software simply isn’t written to take advantage of large numbers of cores.  Random access memory (RAM) can make a big difference though, and since prices have moderated more companies are optionally offering more at initial purchase, or you can easily add more later.  (Yes, I know…some of you would rather cut off a finger than open up a computer case, but I’ll bet you could find a friend who wouldn’t mind helping you and you might save a few bucks in the process.)  Simple suggestion—install as much of the fastest memory your budget and machine allows.  For serious imaging, 8GB ought to be a minimum…more if you can handle it.

The second bottleneck is data transfer.  Files have to get saved somewhere, usually on hard drives, and the handoff is through your motherboard.  For some time the prevalent internal protocol has been SATA revision 2.0 (colloquially called SATA II, capable of a 3 Gbit/s transfer rate).  Since this exceeded the read/write capability of most readily available hard drives all was fine.  Now we have drives (especially SSDs) which eclipse this standard and the industry is moving on to SATA 3.0 (6 Gbit/s), so for internal storage devices this interface should be adequate for a while.

External drives are another matter.  Few desktop computers have room for more than two internal hard drives.  Workstations are an exception (of which Apple’s Mac Pro is one), but these are usually quite large and very expensive.  Since internal drives are almost always faster than external drives regardless of connection protocol, having space for three or four inside the computer is a very big plus for photographers.  But just about everybody needs external drives for backup, archive, or simply space to hold really large image libraries, and passing data back and forth from these drives can be very time consuming.  Current connection options include USB 2.0, FireWire 400, FireWire 800, eSATA, USB 3.0, and Thunderbolt.  All have pluses and minuses and your selection will depend on the compromises you’re willing to tolerate.

Here’s my forecast and a few suggestions.  I expect more new computer motherboards in the next 12-18 months will incorporate the SATA 3.0 spec, PCIe 2.0 slots, and onboard USB 3.0 and Thunderbolt.  It’s going to take a little while for this to happen, so if you can stand it I’d try to be patient and see who adopts what.  Intel has been very slow to support USB 3.0 (probably to give business advantage to their Thunderbolt I/O technology), but they’re now claiming they’ll get onboard.  SSDs continue to get faster, grow in capacity, and are becoming a little less expensive.  If you can manage an SSD for operating system and programs (and perhaps a second somewhat smaller one for a Photoshop scratch drive) you’ll be out on the leading edge.  Among the beauties of SSDs are their small size, low heat, and lack of noise; you can mount them in unusual places in a case with little detriment.

Whatever your needs, technology is always a moving target and keeping an eye to what’s likely right around the corner helps avoid the bitter taste of buyer remorse.  It also helps to rethink your priorities from time to time while trying to keep the most important factors uppermost in the hierarchy.  In my view, lenses usually trump camera bodies, and monitors usually are more critical than the box that sends the video signal.  Your priorities may vary.

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Disaster in Japan

The huge earthquake and resulting deadly tsunami off the coast of Japan last Friday has broad ramifications for all of us.  On a basic human level the tragedy is heart-rending and life-altering; no words can adequately address the grief and loss as the number of dead or missing continues to rise.  Millions of survivors are impacted by lack of water, fuel, electricity, or adequate food, and the homeless number in the hundreds of thousands.  Recovery is further complicated by the intense uncertainty regarding potential nuclear contamination from the damaged power plant at Fukushima.

Human tragedy is always stunning.  Worldwide awareness of this event has been magnified by the instantaneous nature of news, horrific images of the tsunami and the aftermath, and the proliferation of internet communication.  One factor that is different from somewhat similar events of the near past (such as the 2004 Indian Ocean earthquake and tsunami off Sumatra) is the fact that Japan is highly industrialized, has the world’s third largest economy, and is intricately involved in the supply chains for a host of major manufacturers around the world.  This is testament to how globally interdependent we have all become whether we like it or not.  For more specific commentary on potential parts shortages see this BBC article, and follow Thom Hogan’s comments here.  As you do so, please keep an open mind and remember there are huge numbers of people in Japan grappling with survival and dealing with immense disruptions in essential infrastructure as they struggle to put some sense of order back into their lives.  Help if you can; keep them in your prayers.

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New Device Connector Used in Updated MacBook Pros

One port; many uses.   So, are you ready for yet another peripheral connection protocol?  Ready or not, it’s here.  Not exactly a surprise, Intel and Apple have announced the first implementation of what was code named Light Peak during development and is now formally branded Thunderbolt.  This new connector is integrated in the all the new Apple MacBook Pros and has every likelihood of wide use by other manufacturers in the near future.

Here’s the promise.  This one small port—which physically replicates a Mini DisplayPort—is fast (10Gbps in both directions), is compatible with most other peripheral protocols (USB, FireWire, Ethernet, Fibre Channel, DVI, HDMI, etc.), and provides 10 watts of power.  With ability to daisy-chain up to six devices, one Thunderbolt port will be able to handle the needs of many users.

Intel is staking a lot on this new technology.  Though initially Light Peak was to be a purely fiber-optic-based interface, Thunderbolt is (for the time being) using copper wire, with the intention of moving to fiber-optic when it is more cost-effective.  All indications are that Thunderbolt is not Apple-proprietary and will show up in the not too distant future in Windows computers as well.  If you’re inclined to know more about this interesting development see Intel’s official Thunderbolt site, even more detailed “Technology Brief,” and Apple’s description of how it’s integrated into their new notebooks.

Updated MacBook Pros.   Beside the new Thunderbolt port built into the new 13”, 15”, and 17” MacBook Pros, there’s a switch to the latest Sandy Bridge Intel processors (including some quad-cores), and AMD Radeon graphics in the upper end models. You can read all about it at the Apple Store and any number of other Mac-related sites.  It will take a while for full tests and reviews indicating how well these updated notebooks meet the needs of photographers, but all indications are they will likely continue to be among the best field tools available.  And the other part of the equation is how rapidly third party manufacturers will offer Thunderbolt solutions (like really fast portable hard drives) that make one’s job easier while improving your capabilities.  We live in interesting times.

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